Born 1976 in Fresno, CA. Currently based in Los Angeles and Riverside, CA.
|2008||MFA Choreography, UCLA|
|2002||BA Art History, UC Santa Cruz|
|2014-||Assistant Professor. Dance Department. UC Riverside.|
|2010-14||Visiting Lecturer. Dance Center, Columbia College. Chicago.|
|2008-09||Lecturer. Department of Theaters and Dance. Cal State Los Angeles.|
|2004-06||Graduate teaching assistant. UCLA.|
Master classes, workshops and grad studio visits
|2018||Seattle Festival of Dance Improvisation (SFDI) five-day intensive. Seattle.|
|2017||Columbia University Visual Arts MFA Program Visiting Critic. New York City.|
|2015||Performance workshop. Pomona College.|
|2013||Grad student critiques. Parsons School of Art. New York City.|
|2012||Vermont College of Fine Arts, Visiting Artist.|
|2009||Master class, intermediate and advanced movement practice, Jacobʼs Pillow, Massachusetts.
“Freedom of Speech and Movement Acts” workshop, Jane Addamʼs Hull House Museum, Chicago.
Master class, intermediate and advanced technique Clarice Smith College, Maryland.
|2007||Community HIV/AIDS Mobilization Project's Prevention Justice Seminar co-facilitator with Ultra-red. Los Angeles.|
|2006||Assistant to Victoria Marks, Artist-in-Residence at Boston University.|
Exhibitions and installations
|2018||(upcoming) i believe in echoes. Audain Art Museum, Vancouver.
counts orchestrate, a meadow (or weekly practice with breath.) In collaboration with WXPT. Made in LA. Hammer Museum. Los Angeles.
|2017||counts orchestrate, a meadow (or weekly practice with breath.) In collaboration with Meena Murugesan (WXPT). Endless Shout and The Freedom Principle. Institute of Contemporary Art, Philadelphia.|
|2016||S/Election group show. Los Angeles Municipal Art Gallery.
Par Course A (excerpts). In collaboration with Ashley Hunt. Wound. The Cooper Union, New York City.
School for the Movement of the Technicolor People (experimental classroom project). In collaboration with WXPT, Ashley Hunt and Kim Zumpfe. Fusebox Festival. Austin.
School for the Movement of the Technicolor People. In collaboration with WXPT, Ashley Hunt and Kim Zumpfe. Diverseworks, Houston.
|2015||School for the Movement of the Technicolor People. In collaboration with WXPT, Ashley Hunt and Kim Zumpfe. Los Angeles Contemporary Exhibitions.
Composite Fields. In collaboration with Yann Novak. TEMPERAMENTAL. Dorothy McCarthy Gallery, University of Toronto, Scarborough.
|2014||Underwaters (we is ready, we is ready). Whitney Biennial. Whitney Museum of American Art, New York City.
[BLACKOUT]. In collaboration with Ashley Hunt. threewalls gallery, Chicago.
|2013||Par Course C: Cypress College. In collaboration with Ashley Hunt and students of the Veterans’ Resource Center. Cypress College art gallery, Cypress, CA.|
|2012||LET’S USE THESE THINGS and Fila Buster in the Autotuniverse. Commonwealth & Council, Los Angeles.
Decomposition of a Continuous Whole. Fore. The Studio Museum in Harlem, New York City.
Par Course B: Labor Questions. In collaboration with Ashley Hunt and the Youth Art Board. Hairy Blob. Hyde Park Art Center, Chicago.
|2010||Decomposition of a Continuous Whole. Quadruple Consciousness. Vox Populi Gallery, Philadelphia.
Par Course A, in collaboration with Ashley Hunt. Sea and Space Explorations, Los Angeles.
|2009||Decomposition of a Continuous Whole. 3 Women. Artist Curated Projects, Silverlake, CA.
On movement, thought and politics: Garment Workers’ Center, LA. In collaboration with Ashley Hunt and members of the Garment Workers’ Center. Performing Economies. Fellows for Contemporary Art, Los Angeles.
|2008||Untitled (for six voices). As a member of Ultra-Red. Make Art/Stop AIDS. Fowler Museum, Los Angeles.|
|2005||Undeliverable Address. In collaboration with Ashley Hunt. Crazy Space Gallery, Santa Monica.|
|2004||Engagement. In collaboration with Ashley Hunt. Paxico Gallery, Los Angeles.|
|2018||I believe in echoes performance praxis. Made in LA. Hammer Museum, Los Angeles.|
|2017||counts orchestrate, a meadow (or weekly practice with breath.) In collaboration with Meena Murugesan. Endless Shout and The Freedom Principle. Institute of Contemporary Art, Philadelphia.|
|2016||blueredblack/Citizen Amiss. In collaboration with company WXPT. S/Election. Los Angeles Municipal Art Gallery.
Mountain, Fire, Holding Still. In collaboration with Yann Novak, Gregory Barnett and Marbles Jumbo Radio. Getty Villa, Los Angeles.
Decomposition of a Continuous Whole. Affinities, Variations and Scenes. Centre Phi, Montreal.
Meadow (3). School for the Movement of the Technicolor People. Diverseworks, Houston.
Decomposition of a Mutable Landscape. DECOMPOSITIONS: 3 performance works by taisha paggett, Kabir Carter and Yvonne Rainer. XMPL Theater, UC Irvine.
|2015||Meadow (1 and 2). School for the Movement of the Technicolor People. Los Angeles Contemporary Exhibitions.
evereachmore. In collaboration with company WXPT. Clockshop, Los Angeles.
|2014||Decomposition of a Mutable Landscape. CHIME LIVE. Live Arts Los Angeles, Highland Park, CA
Underwaters (we is ready, we is ready). Whitney Biennial. Whitney Museum of American Art, New York City.
|2013||Modest Epoch (9AM 11/19 - 9PM 11/21). Public Fiction, Highland Park, CA.
A right-angled object who lost her faith in being upright. Danspace, New York City.
Private Realness. Danspace, New York City.
verse chorus. Fore. The Studio Museum in Harlem, New York City.
|2012||I’m Here, We’re Here. The Dance Center of Columbia College, Chicago.
Fila Buster. National Queer Arts Festival. SOMArts, San Francisco.
Dive Bar Wedding. In collaboration with David Lakein. Rapid Pulse International Performance Festival. Defibrillator, Chicago.
hard shell. The Dance Center of Columbia College, Chicago.
2hours4every3minutes. In collaboration with Greg Barnett and Meg Wolfe. Tilt-Shift LA: New Queer Perspectives on the Western Edge. Luis de Jesus Gallery, Los Angeles.
A Composite Field. In collaboration with Yann Novak. Mackey Garage, Los Angeles.
|2011||Chair/Pillow (window). Out of Site. Defibrillator, Chicago.|
|2010||Does time hurt? sound installation. From One Side to Another, I’ve Dreamed That Too. 323 Gallery, Los Angeles.
BombShell. In collaboration with Rebecca Alson-Milkman. Pieter, Los Angeles.
Untitled (Gray Scale). Presence. Torrance Art Museum, Torrance, CA.
Decomposition of a color-thought. Gutted. Los Angeles Contemporary Exhibitions.
|2008||Installation performance for Rodney McMillian. The Kitchen, New York City.
we imitate fences. Actions of Transfer: Women’s Performance in the Americas. Hemispheric Institute, Los Angeles.
|2007||Score for an Anti-War dance. Score by Rae Shaolan Blum, arranged and performed by taisha paggett with Arianne Hoffmann. Shared Women, Los Angeles Contemporary Exhibitions.
Living with _ _ _ _ in this country is like living through a war that’s happening only for those people in the trenches. Every time a shell explodes you look around to discover that you’ve lost more of your friends. But nobody else notices, it isn’t happening to them. Diavolo Performance Space, Los Angeles.
|2006||we imitate fences. Then Again. Center Stage Theater, Santa Barbara.
how we get by, an evening of four new dance works by taisha paggett. UCLA, Los Angeles.
|2005||Parallel Activity: The Conservation and The Game of Life. (with Tania Hammidi, Jessica Lawless and Meg Wolfe.) LTTR release party. Sundown Salon, Eagle Rock, CA.
Variations on the singer in solitude. Anatomy Riot, Los Angeles.
the dreamer/tenuous. Highways Performance Space, Santa Monica.
Untitled Women. Projections. UCLA, Los Angeles.
|2004||Museum of Human Beings, for Denise Uyehara. Highways Performance Space, Santa Monica.|
|2003||Lunch Break, in collaboration with Esther Baker. Fowler Museum, UCLA, Los Angeles.|
|2002||Choreography for Punk Out, a feature film.
1 Solo/ 2 Duets. Video dance. Los Angeles.
|2000||Untitled, in collaboration with Yaquelina Parvex. New York City.|
|1998||What You Won’t Do For Love. Gallery 25, Fresno, CA.|
Text and print
|2017||vestibular mantra (or radical virtuosities for a brave new dance) (2012), published for THAT I AM READING BACKWARDS AND INTO FOR A PURPOSE, TO GO ON: exhibition catalogue.|
|2015||Passageway and Score for a Flag, published by Baumtest Quarterly.
modest epoch: in which we seek transformation.The Stand In or a Glass of Milk, published by Public Fiction.
|2014||Performance on the Eve of Negro Spring, The Drama Review.
After bill withers. Initiation.
|2013||Interview with Molly Shanahan. itch dance journal.|
|2012||vestibular mantra (or radical virtuosities for a brave new dance). Blog Salon #3 On Collectivity and Collapse.
itch Ouija Oracle Transmission with Meg Wolfe, Native Strategies.
vestibular mantra (or radical virtuosities for a brave new dance) published for This is what I want. The Off Center, San Francisco.
|2011||Let it burn: A mini life-art-travelogue on decomposition, itch dance journal.|
|2010||Interview with Yvonne Rainer (written with Sara Wolf and Meg Wolfe). itch dance journal.
The letter I was finally able to write (prelude in manifesto with lyrics), itch dance journal.
Teacher’s Wisdom essay on Margalit Oved. Dance Magazine.
Interview with Lilian Wu on Pina Bausch (written with Sara Wolf and Meg Wolfe), itch dance journal.
|2007||Interview with Wendy Perron, itch dance journal.
i love bush he does great things for my people, or In Recognition of Black History Month, itch dance journal.
|2005||We HAVE no place (that’s a good thing), itch dance journal.|
|2004||Krumping: The Changing Face of Hip-hop, Dance Magazine.
Everything Under the Sun: Studying dance at UCLA. Dance Magazine.
|2003||Solo 1 or Agency.|
Performances for other artists
|2018||(in progress) Duets video project by Rebecca Salzer and Anya Cloud with Ishmael Houston-Jones, Sara Shelton Mann, taisha paggett, and Kristianne Salcines.|
|2017||The Rebel Body by Johanna Breiding. Angel’s Gate Cultural Center, San Pedro.
A Reading That Loves: A Physical Act by Yael Davids. Documenta 14. Kassel, Germany.
|2015-16||Three Matadors by Every House Has a Door. Performance and Philosophy Conference. University of Chicago; In/Time Festival, Poetry Foundation. Chicago.|
|2015||Lessons in Semaphore by Cauleen Smith. Various screenings.|
|2014-16||New Faithful Disco by Meg Wolfe. Redcat & Bootleg Theater, Los Angeles; Joe Goode Annex, San Francisco; TBA Festival, Portland.|
|2014||Shatter + Center by Julie Tolentino. Axs Festival, Pasadena.|
|2013||A Reading That Writes by Yael Davids. REDCAT, Los Angeles.|
|2011-15||Stardust by David Rousseve/REALITY. Redcat, Los Angeles; Jacob’s Pillow, Massachusetts; Peak Performance, New Jersey; Clarice Smith Center, Maryland; Krannert Center, Univ of Champaign-Urbana; Lafayette College, Pennsylvania; Contemporary Dance Theatre, Cincinnati; Meany Hall, Seattle; Carpenter Center, Long Beach; Dance Center, Chicago.|
|2011||trembler.Shifter by Meg Wolfe. REDCAT, Los Angeles.|
|2010||Terrain of Tight Places by Lisa Gonzalez. Columbia College Faculty Concert. Dance Center, Chicago.
Fat and Other Stories by Ishmael Houston-Jones. Pieter PASD, Los Angeles.
(like a vase) by Neil Greenberg. Pieter PASD, Los Angeles.
Shifting Shapes by Kelly Nipper. Migros Museum für Gegenwartskunst, Zurich, Switzerland.
Tonight by Modern Garage Movement. Pieter PASD, Los Angeles.
|2009||Shape Shifting by Kelly Nipper. Art Basel, Miami.
I think that I shall never see... by Joseph Ravens. Pasadena, CA.
Combatant Status Review Tribunal reading for 9 Scripts from a Nation at War, REDCAT.
|2008||Yes is a Long Time by Mira Kingsley. Bootleg Theater, Los Angeles.|
|2007||Floyd on the Floor by Kelly Nipper. Performa. Judson Gym, New York City.
Combatant Status Review Tribunal reading for 9 Scripts from a Nation at War, Judson Church.
Swallow touches the Water by Cheng-Chieh Yu. Sushi Performance Space, San Diego.
|2006||Grass Undone by Esther Baker-Tarpaga. Dialogues de Corps. Burkina Faso, OU.
Small Variations by Cid Pearlman. Counter Pulse, San Francisco.
|2005-09||Saudade by David Rousseve/REALITY. The Dance Center, Chicago; Yerba Buena Center, San Francisco; Danspace, New York; UCLALIVE, Los Angeles; Jacob’s Pillow, Massachusetts; Peak Performance, New Jersey; Clarice Center, Maryland.|
|2005-08||Not About Iraq by Victoria Marks. Sweet Briar College, Virginia; UCLA, Los Angeles; Links Hall, Chicago; Danspace, New York; Dance Place, Washington, DC; Myrna Loy Theater, Helena, Montana; Southern Theater, Minneapolis; Carpenter Center, Long Beach.|
|2005||Mourning Dances by Rebecca Alson-Milkman. UCLA, Los Angeles.
Trade by Cheng-Chieh Yu. Highways Performance Space, Santa Monica, CA.
Day Is Done. Choreography by Kate Foley. Video project by Mike Kelley.
Bittersweet dance film by David Rousseve.
|2004||Chair/Pillow and We Shall Run by Yvonne Rainer. Getty Museum, Los Angeles.
Flux by Maria Gillespie. Highways Performance Space, Santa Monica, CA.
Migration Songs by Norah Zuniga Shaw. Highways Performance Space, Santa Monica, CA.
|2001-02||Dances by Fiona Marcotty. Joyce Soho; Wax Works; Symphony Space. NYC.|
|2000-02||Stanley Love Performance Group. Location 1; Lower Manhattan Community College; Pyramid Club. NYC.|
|2000-01||Kraig Patterson/bopi’s black sheep. Texas Woman’s University; Delaware Arts; Danspace, NYC.|
|2000||Untitled by Esteban Cardenas. Foz du Iquaca, Brasil.|
|1999||Lichen Dreams by Allyson Ayers. Duke Gardens, Durham, NC.|
|1998-99||UCSC Dance Concert repertory by Mel Wong, Sylvia Martins, Joe Goode and Remy Charlip. UC Santa Cruz.
209 Repercussions by Heidi Hou. Coalition for Mumia Abu-Jamal Awareness Program, Santa Cruz.
Random With a Purpose. Santa Cruz, CA.
|1998||Repertory by David Dorfman. Boulder Dance Festival, Boulder, CO.|
|1997-98||Crash, Burn and Die/Moving & Storage Performance Group, Santa Cruz, CA.|
|1996-98||Triquetra, Fresno, CA.|
|1996-01||Cheryl Kershaw projects.|
|1996||Repertory by Janice Garrett and Beth Pierik. Portable Dance Troupe, CSU Fresno.|
|1995||Repertory by Joe Goode and Bebe Miller. CSU Summer Arts, Arcata, CA.|
Grants and awards
|2018||Toronto Arts Council (with Gallery TPW).
Wilhelm Family Foundation Grant (for People of Color Retreat).
|2017||Avest Award in Dance from Animating the Archives: The Woman’s Building project.|
|2016||National Performance Network, Forth Fund (with Diverseworks).|
|2015||National Performance Network (with Diverseworks and LACE).
Show Box LA's Los Angeles Dance & Research Residency Program.
|2014||UCIRA (University of California Institute for Research in the Arts) grant, Santa Barbara, CA.
MAP (Multi-Arts Production) Fund (with Los Angeles Contemporary Exhibitions).
|2009||Durfee ARC Grant.|
|2018||Audain Visual Artist in Residence (AVAIR), Simon Frasier University, Vancouver.
Summer Indigenous Art Intensive Residency. University of British Columbia, Kelowna.
|2015||Headlands Artist-in-Residence. Sausalito, CA. (Awarded in 2014).|
|2014||ACRE (Artists' Cooperative Residency and Exhibitions) with Ashley Hunt, Steuben, WI.|
|2013||Choreographers in Mentorship Exchange (CHIME) grant. Los Angeles.
Hothouse residency program. UCLA.
|2012||Hyde Park Art Center. Project residency with collaborator Ashley Hunt. Chicago.|
|2011||Project Row Houses. Research residency and workshop with collaborator Ashley Hunt. Houston.|
|2007||BAK (Basis voor Actuele Kunst) Research in Residence program with Ashley Hunt, Utrecht, NL.
Silo Dancenownyc residency with Rebecca Alson-Milkman. Springtown, PA.
|2005||Hothouse residency program. UCLA.|
Curation and editorial projects
|2017||Force. Co-editor with Erin Silver. CMagazine.|
|2016-||Provocations series. Co-editor with Julie Tolentino. The Drama Review.|
|2013||NATUREHOODFULLESSNESS evening of works on video. Curator. Pieter PASD, Los Angeles.|
|2007||THEN dance series. Co-curator. Diavolo Performance Space, Los Angeles.|
|2005-14||itch dance journal. Co-founder and editor. Los Angeles.|
|2005||Undeliverable Address in collaboration with Ashley Hunt. Co-curator. Crazy Space Gallery, Santa Monica, CA.
Dance Under Construction Graduate Conference. Co-curator of performance series. UCLA, Los Angeles.
|1999||Random With A Purpose: The Student Movement. Co-director. Porter College, Santa Cruz, CA.|
Public talks and panels
|2018||Artist panel with Ryan Feddesen, Jaimie Isaac, Julie Nagam, taisha paggett. University of British Columbia, Kelowna.
Ashley Hunt and taisha paggett in conversation. Art + Practice, Los Angeles.
Roundtable with luciana achugar, Mariel Carranza, Jmy James Kidd, Marbles Jumbo Radio, Wendy Rogers, Crystal Sepulveda and Julie Tolentino. Moderated by taisha paggett. Not Festival, UC Riverside.
Artist talk with Jaamil Olawale Kosoko and Ni’Ja Whitson. CSU San Marcos.
|2017||Artist talk. UC Irvine Art department.
Black Performance in Contemporary Art with Erin Christovale. California African American Museum, Los Angeles.
Artists as Curators panel, with Ralph Lemon, Meena Murugesan and Julie Tolentino. Moderated by Adrienne Edwards. Institute for Curatorial Practice in Performance. Wesleyan University.
|2016||Black Queer Feminist Performance NOW panel, with Kemi Adeyemi, Sampada Aranke, sidony o'neal, and Keijaun Thomas. Moderated by Ariel Osterweiss. TBA Festival, Portland.
Conversation with Barbara Clausen and Simone Forti. Affinities, Variations and Scenes. Centre Phi and DHC/ART Montreal.
Conversation with Barbara Clausen, Joan Jonas, Tanya Lukin Linklater, and Cheryl Sim. Affinities, Variations and Scenes. Centre Phi and DHC/ART, Montreal.
|2015||Artist talk on The School for the Movement of the Technicolor People, with WXPT. analog dissident. Los Angeles.
Artist talk for at land’s edge. Los Angeles Contemporary Exhibitions.
Ditch Plains (2013) conversation facilitated by Erin Christovale with Imani Kai Johnson, taisha paggett and Jaye Austin Williams. Los Angeles Contemporary Exhibitions.
Artist talk with Ashley Hunt. Otis College, Los Angeles.
Experimental Dance: Histories, Politics and Presence with moderator Erin Silver and Seika Boye, Brendan Fernandes, and Jacob Korczynski. Doris McCarthy Gallery, University of Toronto, Scarborough.
Ethics and Aesthetics panel. Chats About Change. LACE, Los Angeles.
|2014||Artist talk. UC Riverside.|
|2013||Conversation with Nick Duran, Chloë Flores, Ashley Hunt and taisha paggett. Performance Now. KChung Radio.
Artist talk. Paul Brach Visiting Artist Lecture Series. Calarts. Valencia, CA.
Artist talk. Interarts Visiting Artist Lecture Series. Idyllwild Arts, Idyllwild, CA.
Artist talk. Dance Department, University of Wisconsin at Milwaukee.
Artist talk. Visiting Artist Lecture Series, Parsons School of Art. New York City.
The Artist’s Voice: Fred Moten in conversation with Jamal Cyrus, Steffani Jemison, Harold Mendez and taisha paggett. The Studio Museum in Harlem, NY.
|2011||African-American identity in dance making and practice panel. NDEO conference, Minneapolis.|
|2010||Tomorrow is what we call Monday, and other facts: A lecture/demonstration by taisha paggett. Pieter PASD, Los Angeles.|
|2009||An Earful of Dance. Conversation on Yvonne Rainer at REDCAT. Los Angeles.|
|2008||Choreographing Identities panel. Actions of Transfer: Women’s Performance in the Americas. Hemispheric Institute, Los Angeles.|
|2007||On movement, thought and politics, research presentation. BAK, Utrecht, The Netherlands.
NOT FOR SALE panel. Performa. Judson Church, New York City.
|2006||Feminism: Legacies and Reinventions. Rosamund Felsen Gallery. Santa Monica, CA.
Habits of Action & Knowing talk with Ashley Hunt. Spheres of Interest. San Francisco Art Institute.
Bibliography and press
|2018||“A Multiplicity of Perspectives: ‘Made in L.A. 2018’ Succeeds by Refusing to Define a Los Angeles Aesthetic” by Kavior Moon. ARTnews.
“Imaginemos Cosas Chingonas: Astonishment and vision in Made in L.A. 2018” by Carribean Fragoza. Terremoto MX.
“Queer voices find inclusion at Hammer Museum’s ‘Made in LA 2018’” by John Paul King. Los Angeles Blade.
“In the Hammer Museum’s ‘Made in LA’ biennial, dance moves back into the picture” by Laura Bleiberg. Los Angeles Times.
“How Los Angeles inspires the artists of ‘Made in L.A.’” by Michael Juliano. Time Out Los Angeles.
“Conversant: An Interview with taisha paggett” by Kemi Adeyemi. Gulf Coast Journal.
“10 contemporary black choreographers you should know” by Audrey Seraphin. ArtsBoston.
|2017||“How to save your own life” by Nishat Hossain. Title Magzine.
“Unfamiliar Intimacies: On taisha paggett, EJ Hill and Wordless Touching” by Wilmer Wilson. Movement Research Performance Journal.
“How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial” by Jaime Shearn Coan. The Drama Review.
“Flex, Conjure, Crack: Flexibility and the Uncertainty of Blackness” by Treva Ellison. C Magazine.
“In Unison: Writings from The School for the Movement of the Technicolor People.” Contact Quarterly.
|2016||“Twas the 16th of December: taisha paggett and WXPT at Los Angeles Municipal Art Gallery” by Anastasia Kahn. Artillery Magazine.
“The Year in Performance” by Andy Campbell. Artforum.
“Critic’s Pick: WOUND: Mending Time and Attention” by Wendy Vogel. Artforum.
“Reflections on Performance as Vigil” by Marbles Jumbo Radio. The Getty Iris.
“Conveying Metaphor Through Costume” by Gregory Barnett. The Getty Iris.
“Exploring Blackness in Antiquity Through Movement and Sound, interview with taisha paggett and Yann Novak” by Audrey Chan. The Getty Iris.
“WXPT: Letter from taisha paggett” Movement Research.
“WXPT: In Conversation, Part 1 and 2” edited by Biba Bell. Movement Research.
“In unison, taisha paggett with WXPT: The School for the Movement of the Technicolor People” by Ali Kheradyar. Notes on Looking.
“5 Free Art Shows to See in LA this Week” by Catherine Wagley. LA Weekly
“Enclosed Passage: On the Space-Time of taisha paggett’s Performative Vestibularity” (conference paper) by Tara Aisha Willis. Collegium for African Diaspora Dance.
|2015||“Best of Los Angeles for 2015” by Lanka Tattersall. Art in America.
“Clockshop brings dance to the banks of the LA River,” KPCC radio and web feature by Robert Garrova.
“practice text #1” by Tara Aisha Willis. Movement Research Performance Journal #46
“TEMPERAMENTAL” by Ben Portis. C Magazine.
"This Performance Art Space Gives You a Cool New Reason to Visit the L.A. River " by Carol Cheh. LA Weekly.
“Composite Fields, on ‘Nothingness’ and Mu,” by Sarah Stefana Smith. Drain Magazine.
“Thinking feeling: Art and queer affect” by Amelia Jones. TEMPERAMENTAL catalogue.
“The School for the Movement of the Technicolor People: taisha paggett with WXPT” Art Collector World.
|2014||“The Whitney Biennial for Angry Women” by Eunsong Kim and Maya Isabella Mackrandilal. The New Inquiry.
“Velvetpark's Official Top 25 Significant Queer Women of 2014.”
“Body present: taisha paggett emphasizes experience” by Nancy Popp. Artillery Magazine.
“It’s Show Time: Ones to Watch” by Andrew Russeth. Baku Magazine.
“Art and Race at the Whitney: Rethinking the Donelle Wolford Debate” by Carolina A. Miranda. Los Angeles Times.
“Featured long durational work: Underwaters (we is ready, we is ready) (2014).” Immaterial, Marina Abramovic Institute.
“taisha paggett performs her new Underwaters (we is ready, we is ready) at the 2014 Whitney Biennial” by Gia Kourlas. Time Out New York.
“taisha paggett’s geography of We” by Jaime Shearn Coan. The Brooklyn Rail.
“Shattering in a space of healing: taisha paggett stages performance piece at Whitney Museum” by Gia Kourlas. New York Times.
“What can be done with dance?” interview by Anthony Romero. Bad At Sports.
|2013||"Most memorable arts experiences of 2013” by Eva Yaa Asantewaa. Infinite Body.
“The dancing body is the same body we move through the world with: A conversation with taisha paggett” by Jaime Shearn Coan. Dancers Turn.
“A surreal collage of shaking, swooning and stumbling” by Brian Siebert. New York Times.
“Performing at the Studio Museum: A conversation with Thomas J. Lax, Nicole Miller, Taisha Paggett, Jacolby Satterwhite, and Narcissister.” Museum and Curatorial Studies Review.
Solos & Solitudes performance catalogue, edited by Jenn Joy and Noémie Solomon, Danspace Project.
“Shared space: Rebecca Davis and taisha paggett at Danspace Project” by Eva Yaa Asantewaa. Infinite Body.
Within exhibition catalogue, texts by Chloë Flores and Melinda Guillen.
“Solos & Solitudes: Hilary Clark, Caroline Gravel, taisha paggett” by Eva Yaa Asentewaa. Dance Magazine.
|2012||“taisha paggett: To decompose, and then recompose,” by Rachel Wetzler. Fore exhibition catalogue.
“Alchemy of Inspiration “Fore”ward at The Studio Museum in Harlem,” by Jessica Lott. Art 21.
“The Studio Museum in Harlem's 'Fore' takes a look at emerging black artists” by Melissa Smith. Politico.
“Around the counties: Looking into Los Angeles County Arts with Robby Herbst” by Melody Soto. KCET Artbound.
“A (Columbia) Night at the Studio Museum in Harlem” by Caroline Chen. Arts Initiative Blog.
“Fore” by Suzanne Hudson. Artforum.
|2010||“Quadruple-Consciousness: Vox Populi hosts performance-based critiques of American culture” by Roberta Fallon. Philadelphia Weekly.
“Teaching & training: Spotlight on guest faculty” by Ligia Himebaugh. Backstage at the Center.
“Notes on Looking: From the Fellows of Contemporary Art” by Geoff Tuck. ForYourArt Los Angeles.
“taisha paggett, performing in ‘VOLUME presents presence,’ Torrance Art Museum Zoom2 series, June 26,2010” by Carol Cheh. Another Righteous Transfer.
“GUTTED, curated by Dino Dinco for LACE's Annual Winter Benefit, February 20, 2010” by Carol Cheh. Another Righteous Transfer.
"At Home in the World? Mobilizing Inbetweenness in ‘Choreographing Identities'" by Sara Wolf. Theatre Research International.
"November 4-10: The Week Ahead." New York Times.
|2009||“Three Women: Performances by Dawn Kasper, taisha paggett, Nancy Popp” by Carol Cheh. Another Righteous Transfer.
“Performing Economies: Would We Like a Beer?” Elana Mann interviewed by Drew Denny. LA Record.
"In Conversation with taisha paggett & Yvonne Rainer,” Andrea Geyer/Sharon Hayes: Kunstmuseum St. Gallen.
|2008||Cover feature on Ultra-red by Mark Fisher. Wire magazine.|
|2006||“Broken Boundaries” by Jessica Wong. The Daily Bruin.
“Then Again: New and very new dance from southern California choreographers” by Elizabeth Schwyzer. Santa Barbara Independent.
Additional bibliography and press (as a company member and dancer)
|2018||“Finding Kinship with Witchcraft in the Fight Against Patriarchy” by Abe Ahn. Hyperallergic.
“Critic’s Pick” for Johanna Breiding’s Rebel Body by Meg Whiteford. Artforum.
|2017||"Review of Eve Fowler's 'with it which it as it if it is to be'" by Rachel Valinksy. Millenium Film Journal.|
|2016||"Dance History in Contemporary Visual Art Practice: Kelly Nipper’s Weather Center" by Jennie Goldstein. The Drama Review.
“Wolfe’s Disco Movement Gives New Meaning to the Word Faithful” by Lara Altunian. Ampersand.
"Eve Fowler" by Danny King. Village Voice.
|2015||“David Rousseve/Reality’s ‘Stardust’” by Laura Molzahr. Chicago Tribune.
“David Roussève’s ‘Stardust’ at UW World Series” by Alice Kaderlan. Seattle P.I.
|2009||"Roussève: Reality and 'Saudade'" by Eva Yaa Asantewaa. InfiniteBody.|
|2008||“taisha paggett: The LA-based dancer returns with David Rousseve/REALITY” by Asimina Chremos. TimeOut Chicago.
“Two choreographers fight their wars,” by Deborah Jowitt. Village Voice.
“A Choreographer Steps Into Antiwar Movement,” Sarah Kaufman. Washington Post.
“Not About Iraq,” by Carmel Morgan. Ballet-Dance Magazine.
Dance Review by Eva Yaa Asentewaa. Dance Magazine.
|2007||“War dances at the Dance Place,” by Lisa Traiger. Dance View Times.|
|2005||“Honesty through obvious lies,” by Lewis Segal. Los Angeles Times.|
|2017-||Pieter board member.
Hammer Artist Council.
|2015-||WXPT/School for the Movement of the Technicolor People artistic director.
homeLA. Advisory Board.
|2010-15||Show Box LA, Board Member.|
|2009||Choreographic assistant to Barak Marshall in development of Rooster, Los Angeles.
Choreographic assistant to Yvonne Rainer in development of Agon. Getty Center. Los Angeles.
|2006-7||Floyd on the Floor by Kelly Nipper. Rehearsal Director. Los Angeles/New York City.|